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The third Journal Note is in Baldridge's flooded house. Pass the gazebo with the hanging skeleton and climb up and into the windows of the house. Jump to the branch ahead of you and swing/jump to reach the mouth of the cave.Īfter spotting the Shoreline trucks near Avery's mansion, drop down to the ground next to the river. Head down into the water and swim underneath the rock wall - when you resurface on the other side, climb onto the stone ledge on your right.īack on solid ground, there's a wall to your left - climb it and follow the path to walk out on a beam. When the guard turns away, pass by behind him and turn right into the cave. Avoid the guard above, climb the stairs and sneak up the second set of steps to your right. When it's clear to do so, swing across and land at the base of the stairs across from this house. Take out the guard here when it's clear, and when no one is watching quickly jump to the building on the right and knock out the guard. Wait for the guard directly above you to turn away, then climb up into the plants on top of the central platform. Hop over the wall and get into the tall brush. Wait for the mercenary to approach, then pull him over as well. Head around the corner to your right, then climb up the exposed bricks in the wall. Drop back down and head through the hole in the wall to your right to drop into the water. Wait for him to get close, then pull him over the edge. Next, move to the base of the wall beneath the second guard and climb up. When you reach the waters edge, hop down and swim to the platform across from you.Ĭlimb up and sneak through the tall plants, and take down the guard when he approaches. When the mercenaries show up, follow the thick vegetation to the right. Walk up the slanted roof and jump into the third story window, then drop down through the hole in the wall on your left. Head out the door of the bedroom and mantle up onto the collapsed roof. You can enter the bedroom by crawling through the collapsed area or by climbing over the collapsed roof and walking through the side door. For more on this story, listen to our full interview with David Cerny.In the first house Nathan explores, drop down into the bedroom. This transcript has been edited for length and clarity. This would be the only answer to what he did within those five years because he put this country into something like what Trump is doing now. Now we are going to have presidential elections after five years and I was thinking how can I overtake that? And it's difficult because I would have to make that finger something like five times bigger. But I think he deserves it all the time since he actually joined the office. Is the middle finger still pointing to the president's office? You floated, on a barge, a giant purple middle finger that was pointing at Prague Castle, which is the seat of the president. I have to ask about one of your works we talked about last time we spoke. The artwork faced Czech president Milos Zeman's residency at Prague Castle and was installed 4 days before the Czech Republic's general election. People sail past Cerny's giant purple middle finger sculpture on the Vltava River in 2013. Of course, I know the architect, and I think that he was pretty pleased that I actually came up with the idea to attach the babies on it because it somehow makes it more acceptable.Īfter the babies are repaired they are going to be back crawling up the tower again, right? But since then, people sort of get used to it. So it was quite hated also because of that. So, that's one of the reasons.Īlso, in that time, it is really like sticking out from the historical part of the city. During this time they were digging out skeletons. They completely ruined all of the Jewish cemetery. They picked the middle of the city where there was a Jewish cemetery. The Bolsheviks, in the '80s, started working on this project because they needed to have a high tower in the middle of the city to actually be able to spy on people and to disrupt the broadcasting from radio.īut the project was going on during near the end of communism and the way the Communists actually picked the place where to build it was very unhappy. Can you tell us how people feel about this tower and why? People hate it for many reasons - some of them political. One of the climbing babies is seen in silhouette against the rooftops of Prague's Zizkov district. Legends in the agriculture and food industries have been honored and recognized for their contribution to Sonoma County. Jean back in 1975 to today, more than 80 wineries have been recognized with the coveted sweepstakes awards. From the first sweepstakes winner, Chateau St. The Harvest Fair is one of Sonoma County’s most cherished events. This is an industry event where we will be announcing all the best of class wines as well as the top three sweepstakes winners! This event not only honors the winners in the food and wine competitions, but also recognizes tremendous achievement in the agriculture business. The 2023 Harvest Fair Awards Night Celebration will be held on Sunday, October 1st at the Sonoma County Fairgrounds in the Saralee & Richard’s Barn. This allows for a more personalized experience with each of the wineries and restaurants. From noon – 1 p.m., we’re providing time for guests to gain early access to the Pavilion. This three-hour event will showcase the very best of Sonoma County wines, food and artisans.ĭue to popular demand, we are continuing with our special pre-event VIP time period. at the Tasting Pavilion at the Sonoma County Fair Grounds. We will host the Grand Tasting on Saturday, Octofrom 1 – 4 p.m. This year’s Harvest Fair schedule is a little different from years past. Enjoy the amazing food and wines synonymous with this event! In addition to the exciting Professional Wine Competition, the event also includes an Amateur Wine Competition, Professional Food Competition and the World Champion Grape Stomp. "Yellow" magical items - Once you have a full set of blues and greens (and you should do so as soon as you can), you can just sell every yellow item you get.If you're close enough to the Rift, a Rift icon will appear on the minimap, leading you directly towards it. Can't find the Rift for a zone? The trick is to run around the place (and killing everything that stands in your way) while keeping an eye on the minimap.For melee, just make sure you stand in front of the threshold, enough to block the enemies from going around to your sides. Supplement your shooting with some spells if needed. Stand just beyond that bottleneck (a safe distance away), hold your ground (press Shift), and start shooting (with a ranged weapon, naturally) everything that comes through the threshold. Identify them asap when you encounter a horde/swarm of enemies. Note that you can shoot OVER certain objects as well, allowing you to get that first shot in before the entire horde descends on you. You can destroy certain barriers like wooden fences and stone banisters which will allow you to shoot (if you're ranged) your weapon around corners.For the expansion, Ashes of Malmouth, you will want to stack as much Poison resistance as you can. They don't really matter much in the base game (Normal mode), but they can come in real handy if you find you're having trouble defeating a boss. Usually an outcropping indicates a loot cache. Make sure to consult your map from time to time as well. Instead of clicking non-stop to move, use click-and-hold, but make sure to move your character in a sweeping motion, just so you can "find" all the hidden stashes of loot. Can't tell you how many boss fights were made so much easier when the boss can be pretty consistently stunned :) At least have 1 good stun skill (A "group stun" is even better).It also dampens how fast your health gets drained when you are taking damage. This helps because your Constitution level determines how fast you can regain your health when you are "out of combat" (not taking damage). You can do so by consuming food (like Food Rations or Untouched Meals) or picking up Vital Essences. To make any fight easier, make sure your Constitution (the yellowish film-like thingy on your health bar) is as close to full as you can before jumping into the frey.Note the cooldown and how much time you need for the potion to restore your health pool back to full. Just in case you happen to die, you can then hop right back into the fight without having to run through maze-like corridors again. If you can, open a Personal Riftgate before starting any boss fight.The Smith is not exactly in the Necropolis but rather in the zone, Gates of the Necropolis. and this makes him slightly difficult to find. The thing is though, this cursed smith isn't located in or near any town. Unlike some players, I have enough of these vials of blood to spare so it's no biggie. So, guess where I went to just to get the Tainted Brain Matter needed to complete the quest "Power of Our Enemies"? There's a special smith (Horrus - Cursed Smith) located in the Gates of Necropolis region who can craft it for me in exchange for Blood of Ch'thon. I don't like farming for stuff on a single-player game - I have done that on MMOs multiple times and I have had enough. Where is Horrus the Cursed Smith? Here he is! Where is the special Smith who can craft Tainted Brain Matter? This is where you can find Craig's Crags and Kalis Ka, the Bonehunter This is the quest where you are tasked to kill the Kalis Ka, the Bonehunter and to get the Fang of Bonehunter. Quest location: East Marsh, east of Burrwitch or more specifically Craig's Crags. **Took down this beast at a much lower level (the boss name is red for me).Make sure to get that Personal Riftgate up before engaging and use potions even when you think you don't really need it yet (depends on the resistances you have though).Have high Bleeding and Pierce Resistances.Taking on the Kalis Ka, the Bonehunter while under-leveled I have no idea what happens on an HDR monitor where you could potentially change the display brightness by ±500 or more nits.This is highly specific to your display, so I suggest you observe a grey/brightness ramp and color ramp using both types of profiles to determine if the LUT profile introduces artifacts on your display you find unacceptable compared to a matrix. While both my LUT and matrix profiles introduce some minor color cast in dark greys on my display, I actually find the LUT profile to be more neutral in this regard. LUT-based display profiles have the potential to create color casts in dark greys and/or banding in a variety of dark tones.My conclusions may not be valid if you use Displa圜AL’s much smaller default set of only 175 patches. Yes, it’s annoying to have to wait that long, but I think this is necessary to get a high-quality LUT profile. To create my LUT profile, I used the “very large testchart” in Displa圜AL, which has nearly 5,000 color patches and takes about two hours to profile.As mentioned before, according to Displa圜AL’s developer this is the recommended profile type for 99%+ of scenarios. The tolerance of matrix-based display profile accuracy to ☗0 nits changes in display white level shows no significant improvement over a LUT-based profile, while having considerably worse overall accuracy, regardless of the display white level tested.Ībsent convincing evidence to the contrary, I will continue using an XYZ LUT-based ICC display profile for use with darktable, since it gives better color accuracy, even at varied white levels.Average and max ΔE*00 remained at acceptably low levels (<2). A high quality LUT-based display profile does not show a significant change in accuracy when changing the display white level by ☗0 nits and can therefore still be considered valid in that range.Is the accuracy of matrix-based ICC display profiles more tolerant of white level changes than LUT-based profiles?.Are LUT-based ICC display profiles only valid at one white level (i.e.TL DR - I currently believe an XYZ LUT is the best ICC display profile type for darktable and other digital photo editing. I did some testing on my equipment and want to share my findings. I will try to do some testing and report back. I’m also not sure if darktable is even using the LUT in the “XYZ LUT + matrix” default profile produced by Displa圜AL or if it’s falling back to the matrix. Both LUT-based and matrix-based profiles may include calibration curves which can be loaded into a video card’s gamma table hardware. Note: LUT-based profiles (which contain three-dimensional LUTs) might be confused with video card LUT (calibration) curves (one-dimensional LUTs), but they’re two different things. Lab or XYZ can be used as PCS, with XYZ being recommended especially for wide-gamut displays bacause their primaries might exceed the ICC Lab encoding range (Note: Under Windows, XYZ LUT types are only available in Displa圜AL if using ArgyllCMS >= 1.1.0 because of a requirement for matrix tags in the profile, which are not created by prior ArgyllCMS versions). When choosing a LUT based profile type, advanced gamut mapping options become available which you can use to create perceptual and/or saturation tables inside the profile in addition to the default colorimetric tables which are always created. LUT based profiles are larger in filesize, more accurate (but may sacrifice smoothness), in some cases less compatible (applications might not be able to use or show bugs/quirks with LUT type profiles, or certain variations of them). A single curve or gamma can be used if individual curves or gamma values degrade the gray balance of an otherwise good calibration. Curves are more accurate than gamma values. You can choose between using individual curves for each channel (red, green and blue), a single curve for all channels, individual gamma values for each channel or a single gamma for all channels. For matrix based profiles, the PCS is always XYZ. Matrix based profiles are smaller in filesize, somewhat less accurate (though in most cases smoother) compared to LUT based types, and usually have the best compatibility across CMMs, applications and systems - but only support the colorimetric intent for color transforms. Generally you can differentiate between two types of profiles: LUT based and matrix based. I found this in the Displa圜AL documentation, but it does not discuss the matter of whether an XYZ LUT is only valid at a single white level: It’s here that the film treats us to an intense and gorgeously animated race sequence and equally beautiful backgrounds and character models. The first 10 minutes do an excellent job of letting viewers know what’s in store for them. Especially when you neglect everything else in the process. Redline is excellent proof that you can have too much of a good thing. Every element works in melody, bouncing off and complementing one another, ultimately creating a tremendous overall work that is magical to behold, completely unlike any other anime production to date. But, more than a film, Redline is an experience. However, if you want a fast, funny, eye-watering, explosive experience that will suck you into a world which words barely do justice, this is the film you're after. Needless to say, if you want a realistic racing film then you have come to the wrong place. Redline is a film not to be taken too seriously and anyone doing so has certainly missed the point. The characters are written to be entertaining, to build the scale of the film and to perform as the archetypes we know and love, but that's not to say they're by any means flat the main characters receive a sufficient amount of development, and the supporting cast is comprised of an exceedingly rich, varied, exciting and incredibly fun horde of wonderful characters. JP and Sonoshee alone make up about half the human population in the entire film all of the other characters belong to their respective alien races, besides two other humans. The characters, like the story and presentation, are themselves larger than life, quite literally. The main characters all very much fit into conventional archetypes, but they're not made to be complex, deep, thoughtful beings. To quote journalist Helen McCarthy "casting him was a stroke of genius." Lastly, JP's right-hand man Frisbee is handled by Tadanobu Asano, one of few Japanese actors making a name for himself in Hollywood (recently he starred in Marvel's Thor). The leading lady - Sonoshee - is portrayed by none other than Yu Aoi an actress with many award-winning films under her belt, multiple of which were directed by national treasure and acclaimed auteur Shunji Iwai. The leading man - JP - is voiced by Takuya Kimura, a member of the pop group SMAP and veteran actor who starred in Yoji Yamada's The Hidden Blade, part of the directors Oscar nominated samurai trilogy. The vocal talent is superb and particularly noteworthy the film employs actors rather than seiyu in the leading roles. It blends seamlessly with Redline's fast-paced visuals, the sound editing is first-rate and the vocal tracks leave warm, fuzzy feelings - especially the ending song. The music - chiefly a variety of electronic compositions - is sublime. The film is full of colour, detail and beauty like no other, the art style is vigorous and unique, and the character designs are fresh, exuberant and interesting. The animation - in a word - is mind-blowing. The amount of action and detail on screen at any one time is so vast the film begs for repeat viewings. Madhouse handled the production, with second key animation from Gainax - the films full development totaled seven years, with over one hundred thousand hand-made drawings. The tagline for Redline during its release was 'Witness the Future of Animation' and it's safe to say the studio never doubted the creativity of the team behind the film. In that respect, the story delivers and then some. The crazy antics in Redline make it clear the film isn't to be taken too seriously it isn't a production that sets out to challenge our minds, but rather an exhilarating thrill-ride that's sole purpose is to entertain. The drama is at times cheesy, but it fits well with the films over-the-top attitude. The action is, as you would imagine fast, fantastic and full of adrenaline. The story - despite cliches - is both exhilarating and incredibly well paced. Produced by Madhouse, with second key animation from Gainax, music from James Shimoji and a cast and crew pumped with everlasting potential, this is certainly one of - if not the - most adrenaline filled anime film to date.Īs a film about racing, the plot is fairly standard fare, but the larger than life presentation coupled with the sheer imagination and creativity that has gone into Redline is second to none. Redline is an anime about racing, only presented like nothing seen before. Takeshi Koike's debut feature seven years in the making. |
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